Wedding films, edited like they matter.
We are the quiet half of the credit roll. US filmmakers send us the cards, we send back a highlight film their couple watches a hundred times. You keep shooting. We keep the timeline.
Filmmakers who stopped editing at two in the morning.
I shot three weddings in nine days and slept through the edit season for the first time. The pacing they found in my second shooter footage was better than what I had planned in my head.
Their grade holds up on a phone and on a projector. My couples share the film the same night it lands. I have not sent a single revision note in four weddings.
I outsourced to three studios before this one. The difference is that Cut Craze watches the whole ceremony before cutting a frame. You can hear that in the audio choices.
We doubled bookings the year we handed post over. My time went back into sales calls and site visits. The films got better, not worse. That still surprises me.
Watch the pacing. Feel the emotion.
Three formats, one standard. Every cut is timed to breath and music, not to a template.
A story that holds from first look to last dance
Ceremony beats, vows in voice over, a build that lands on the first dance.
The full day, cut so nobody skips ahead
Clean dialogue, restored audio, chapters that respect the order of the day.
Vertical, captioned, ready to post
Cut for sound off viewing, hooked in the first second, sized for every feed.
Built by an editor who kept getting asked for one more wedding.
Cut Craze Production started in a single room with one license, one drive and a habit of watching every card end to end before touching a timeline. Word moved between filmmakers faster than any advertisement could.
Today the studio runs a small, permanent team. No rotating freelancers, no handoffs mid project. The editor who watches your footage on day one is the editor who exports your master.
Six steps. No surprises.
You will know where your film sits at every hour of the process, because every stage has a name, an owner and a date.
Upload footage
Drop cards to your drive or ship a disk. Every clip is verified on arrival.
Project planning
Music, structure and must have moments, agreed before the first cut.
Editing
Story pass, sound design and colour, handled by a single editor.
Review
A timestamped link. Notes land on the frame they belong to.
Revisions
Two full rounds included, worked the same week they arrive.
Final delivery
Masters, socials and project files, named the way your studio names them.
Send us a card. Get the film back in ten days.
The first edit is on us. One highlight film, cut to your style guide, delivered before you commit to anything. If it is not the best edit your studio has sent out this year, walk away.